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THE PAUSE BETWEEN CROWNS

Playwright: Kallol Nandi

OPENING SCENE (1) – SOLDIERS ATTACK THE TEMPLE

Characters
  • PRIEST
  • ANADHA
  • TEMPLE GIRLS (dance chorus)
  • VILLAGERS (offstage)
  • MESSENGER
  • SULTANATE SOLDIERS (enter later)
Setting
  • A Hindu temple courtyard in the morning.
  • Flowers. A bell hangs still.
  • Soft temple bells. The PRIEST stands before the deity.

PRIEST

Om! Namah Shivaya, Namah Shivaya, Namah Shivaya

Om Tryambakam Yajamahe

Sugandhim Pustivardhanam

Urvarukamiva Bandhanan

Mrtyor Muksiya Mamrtat

(GIRLS step forward. Position themselves to start a ritual dance.)

Om Tatpurusaya Vidmahe

Mahadevaya Dhimahi

Tanno Rudrah Prachodayat

(The bells stop. Silence.)

(GIRLS start dance—measured, graceful, cyclical.)

(ANADHA dances among them—not the best dancer, but the most attentive.)

(The dance ends. Hands folded.)

(A distant sound. Not yet threatening. A drum—out of rhythm.)

(PRIEST pauses.)

PRIEST

Again.

(The GIRLS begin the final movement—but the rhythm falters.)

(The drum grows louder. Shouts—indistinct.)

(A MESSENGER stumbles in, breathless.)

MESSENGER

Stop— Stop the prayer—

PRIEST

This is consecrated ground.

MESSENGER

Not anymore.

The Sultan’s army— Azam Shah’s banners— They have taken the landlord.

(A collective intake of breath.)

(The bell rings—accidentally struck. Loud.)

VILLAGERS (shouting offstage)

They are coming this way!

(Offstage: People grab children, offerings, cloth.)

(GIRLS freeze—trained to wait.)

MESSENGER (to PRIEST)

They are asking for you.

PRIEST

And the girls?

(No answer from MESSENGER.)

(Drums now clear. Soldiers approach sound. Boots. Metal.)

(SULTANATE SOLDIERS’ voices offstage.)

SOLDIER (offstage)

Search the compound! Priest lives here!

PRIEST (to the GIRLS)

Run.

(They do not move.)

PRIEST (sharper)

Run!

(They scatter—some hesitate, some cry. ANADHA stands still.)

PRIEST

Child—

ANADHA

Where do we go?

(PRIEST has no answer.)

ANADHA (cont.)

I go wherever you go. I am not leaving you alone here.

PRIEST

I cannot escape. They came to capture me. You save your life. Run my child! Run now.

ANADHA

My survival is not an escape.

PRIEST

Save yourself now to survive.

ANADHA

I will remember your advice. You save yourself.

(ANADHA runs away and exits.)

(SOLDIERS rush in. The temple is suddenly too small.)

SOLDIER

There.

(They seize the PRIEST and drag him away.)

(The temple bell swings wildly now, ringing without rhythm.)

(PRIEST looks back—at the deity, the flowers crushed under boots, and broken things all around.)

(Blackout.)

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