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THE PAUSE BETWEEN CROWNS

SCENE (17) – GANESH CONSOLIDATING POWER OUTSIDE THE PALACE

Characters
  • GANESH
  • OFFICER
  • MERCHANT REPRESENTATIVE
  • MESSENGERS / SCRIBES
  • SAFA
Setting
  • A large private house outside the imperial complex.
  • Not grand, but organized. Lamps, maps, messengers moving in and out.
  • Night edging toward dawn.

(GANESH stands over a table covered with maps and ledgers.)

OFFICER

River toll suspension confirmed.

Eastern convoy arrived intact.

GANESH

Good.

(He does not look up. He marks the ledger.)

Grain moves tomorrow.

OFFICER (with hesitations)

Without the Sultan’s seal—

GANESH

—the Sultan’s seal will follow the grain.

(A pause. The OFFICER bows.)

(The MERCHANT steps forward.)

MERCHANT

We hear there is uncertainty.

GANESH

There is urgency.

MERCHANT

We prefer certainty.

(GANESH gestures to the map.)

GANESH

Certainty is expensive. Urgency is profitable.

(The MERCHANT smiles—decision made.)

MERCHANT

Our caravans are yours.

(MESSENGER enters.)

MESSENGER

The northern chiefs ask whom to obey.

GANESH (with no hesitation)

Tell them to obey peace.

If peace fails, obey me.

(The MESSENGER exits.)

(GANESH touches the map—Pandua at the center, then draws his finger outward.)

GANESH (to himself)

Power does not sit.

It circulates.

OFFICER

Any other order?

GANESH

Yes – No movement toward the palace. Let them think distance equals weakness.

(OFFICE exits.)

(Outside, the sound of hooves, carts, voices—life moving.)

(GANESH remains steady at the table. The room is briefly still.)

(SAFA enters quietly, hooded. She carries a narrow scroll, sealed.)

GANESH

You came alone?

SAFA

I always do.

(She places the scroll on the table—but does not release it yet.)

GANESH

From whom?

(SAFA breaks the seal—to show the mark.)

SAFA

Begum Saheba.

(GANESH does not reach for it.)

GANESH

Read.

SAFA

It may not be appropriate for me to give voice to it.

GANESH

So, you know it. Don’t you?

SAFA

Begum Saheba wrote it in front of me.

GANESH

You have an eagle’s eyes.

SAFA (with hesitation)

It is a private.

GANESH

I want to be certain – it is not a trap.

SAFA

Begum Saheba would not set a trap for you.

GANESH

But the Sultan may.

I need a witness. For our mutual safety.

(A long beat. SAFA understands the weight of this. She reads carefully.)

SAFA

The garden sleeps after the third watch.

Walk where the orchard thins,

where fruit forgets its weight.

Bring no footsteps with you,

borrow no time.

Speak only once.

(She lowers the scroll. Silence.)

GANESH

Continue.

SAFA

I beg your mercy, no further.

(She folds the scroll, hands it to him.)

SAFA (cont.)

Begum asked me to remind you – Palace walls have grown its ears, they have learned to listen,

and doors now repeat what they hear.

GANESH

The Sultan watches everything.

SAFA

He watches reassurance.

I will give him enough of it to forget to count time.

GANESH

That is dangerous.

SAFA

So does the meeting.

GANESH

She wants a meeting.

SAFA

She wants a decision.

GANESH

And you?

SAFA

I will make the night disappear from record.

GANESH

You take on too much.

SAFA

I take on what others drop.

GANESH

Tell her I will go.

(SAFA turns to leave, then stops.)

SAFA

Do not stay.

GANESH

I never do.

(SAFA exits into the night.)

(GANESH stands alone, the scroll in his hand.)

(Opens the scroll and adjusts the lamp.)

GANESH (reads the scroll. It transfers to PHULJANI’s voice offstage.)

When the moon chooses a cloud,

to be covered in the warmth of its guard.

The cloud spreads its veil,

holding what the moon presses to her heart—

opening folds, loosening fractures,

allowing light to arrive without being seen

there a Begum wanted to be a woman,

and needed to be loved.

The smell of the wind she misses,

the voice that stalled the world of power,

unguards all guards,

the warmth that shakes her heart,

cools her thirst–

when she heard the name – Basudha.

(Lights fade in the middle of the read. Voice remains.)

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