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THE LAST WITNESS

SCENE (19) – TRIPURA AND PHULJANI – WHAT SURVIVES THE THRONE

Setting:
  • An inner palace chamber at night.
  • A single lamp. Heavy curtains. The city sounds are distant.
  • TRIPURA stands near the window.
  • PHULJANI sits quietly, composed, older in spirit.
  • A long silence before anyone speaks.

TRIPURA

He is Hindu again.

PHULJANI

Yes.

TRIPURA

At least that wound is closed.

So why does this still feel unfinished?

PHULJANI

Because he is locked away.

TRIPURA

He has imprisoned his own son.

PHULJANI

Not imprisoned. Hidden.

TRIPURA

From whom?

PHULJANI

From everyone.

Outside the palace, he is a symbol.

Inside, a memory someone wants erased.

When a child survives a throne, danger follows.

TRIPURA

Then why does this feel cruel?

PHULJANI

Because safety rarely feels kind.

(Tripura sits, suddenly tired.)

TRIPURA

Every solution smells like a grave.

PHULJANI

That is the nature of crowns.

TRIPURA

Not love?

PHULJANI

Especially not.

TRIPURA

You speak as if you no longer believe in love.

PHULJANI

I believe in love deeply.

That is why I distrust it near power.

Love is human.

Near the throne, it is misused.

TRIPURA

You loved him.

PHULJANI

—before marriage, before ritual, before titles.

Yes.

TRIPURA

And now?

PHULJANI

Now I am wife to a king. That is not the same thing.

Love wrapped in imperial ritual ceases to belong to itself.

TRIPURA

Do you still love him?

PHULJANI

I love the man who no longer exists.

The king requires something else.

TRIPURA

You warn me—about Ganesh.

PHULJANI

About trusting a ruler without limits.

Power recognizes usefulness before affection.

TRIPURA

And you?

PHULJANI

I am useful. So are you.

It is survival.

(A long silence. They sit across from each other—no hostility.)

TRIPURA

We both married consequences.

PHULJANI

Yes. And neither of us is wrong.

TRIPURA

Just trapped. I do not hate you.

PHULJANI

I never thought you did.

TRIPURA

Then what are we now?

PHULJANI

Witnesses.

And guards—for ourselves.

(They exchange a long, understanding look.)

(The lamp flickers. Two women sit in silence—no rivalry, no illusion. Only clarity. Suddenly—)

SAFA (offstage, screaming)

Raja Ganesh is dead! The King is dead!

(Both women rise instantly.)

TRIPURA

What?

PHULJANI

Run.

(They rush out.)

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