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THE LAST WITNESS

Playwright: Kallol Nandi

SCENE (1) – CORONATION OF SULTAN AND EXPEL RAJA GANESH

Setting:
  • The throne hall in full ceremonial order.
  • The throne is elevated.
  • The court stands. No music yet.
  • At center: HAMZA SHAH
  • To his right: IMAM
  • Behind the throne, slightly to the side: RAJA GANESH
  • To the front row: PHULJANI
  • At the far edge, almost hidden: SAFA, dressed in mourning white.

IMAM

By the will of the Almighty Allah, by the consent of the court and land, I, the Imam of Adina Mosque of Pandua,

(He lifts the crown and places it on HAMZA SHAH’s head.)

place the crown upon your head – sovereignty and responsibility.

(IMAM steps back.)

From this moment forth, Saifuddin Hamza Shah, the son of late Sultan Ghiyasuddin Azam Shah is the Sultan of the kingdom of Gaur, guardian of law, answerable to God alone.

(The court bows.)

And by necessity of governance—

(gestures toward Ganesh)

—Raja Ganesh is hereby confirmed as Regent of the Sultan, custodian of administration, until such time as the Sultan commands otherwise.

HAMZA SHAH

So declared.

(He looks briefly at Ganesh.)

(Ganesh bows—not deeply. Perfectly.)

IMAM

Let the court now witness celebration—for a kingdom must rejoice before it learns obedience.

(Musicians enter. Music begins—restrained, dignified. Dancers enter in symmetrical formation.)

(The court relaxes.)

(PHULJANI moves to take her seat. Her ankle falters slightly—barely noticeable.)

GANESH

(instinctively)

Careful.

(He steps forward and slides a cushion beneath her seat—a simple, domestic gesture, but too intimate for a regent. PHULJANI sits. Her fingers briefly rest on the edge of his sleeve. She notices his collar is slightly misaligned.)

PHULJANI

You never fix this properly.

(She reaches up and straightens his garment. It is done in one breath. They separate.)

(THE DANCE BEGINS – Their movement is celebratory, controlled—not seductive.)

(Suddenly SAFA cannot contain herself. Her grief cuts through rhythm.)

SAFA

(quiet at first, then breaking)

Does the kingdom dance for the dead?

(Music stops. Dancers freeze.)

IMAM

This is not the hour—

SAFA

When will it be?

Sultan Azam Shah is dust—yet no one here has washed their hands.

HAMZA SHAH

This is my coronation.

SAFA

That is why I speak. I watched loyalty become convenience. I watched his ring fall from his finger when they washed his body.

(She looks directly at PHULJANI, then GANESH.)

PHULJANI

Grief does not excuse disorder.

GANESH

Not all wounds heal in public.

SAFA

Then why are crowns placed there?

HAMZA SHAH

This court will remember Sultan Azam Shah with prayers, not disruption.

IMAM

Continue.

(The dance resumes, but the joy is fractured.)

(As the music plays, HAMZA SHAH watches. GANESH and PHULJANI—now careful, distant.)

(When dance ends. Dancers and Musicians exit.)

IMAM

With your permission may I return to Adina for the khutbah.

HAMZA SHAH

Go. I will attend.

(Imam bows to Sultan and exits.)

(HAMZA touches the crown.)

HAMZA SHAH

This crown is heavier than I imagined.

GANESH

Power always is—when it is first worn honestly.

HAMZA SHAH

I issued an order this morning.

GANESH

Without my knowledge!

HAMZA SHAH

Intentionally.

GANESH

Sultans consult. Regents advise.

HAMZA SHAH

Or to the sovereign.

GANESH

Careful. You are still learning which words bite back.

HAMZA SHAH

I am learning something else—that obedience was my training, not my destiny.

The court is dismissed.

(Everyone leaves. HAMZA is alone on the throne. Outside of the throne hall, courtiers speak in low voices.)

COURTIER (to another Courtier)

He signs orders without the regent’s seal.

(Hamza listens and goes close to courtiers.)

HAMZA SHAH

Continue. I enjoy hearing truth when it forgets manners.

(Courtiers freeze.)

COURTIER

My Sultan—we meant—

HAMZA SHAH

You meant survival. That is always honest.

COURTIER

Raja Ganesh has ruled long.

HAMZA SHAH

Too long.

COURTIER

Without him—

HAMZA SHAH

—there will be clarity.

Tell me—when I was placed on this throne, did you see a Sultan…

(leans closer)

…or a placeholder?

(No one answers.)

(A MESSENGER comes, bows and gives HAMZA SHAH a letter. Bows down and leaves.)

(HAMZA returns to the throne hall, sits on the throne and reads the letter. Phuljani is not present—but her name is everywhere.)

HAMZA SHAH

(reading aloud, voice breaking)

“…before the regency, before the crown—their meetings were known …”

(crushes the letter and calls out.)

Bring the woman.

(A beat.)

No—bring the regent.

(One courtier leaves and returns with Ganesh. He stands calmly. Hamza paces like a caged animal.)

HAMZA SHAH

Did you think I would never learn?

GANESH

Learn what?

HAMZA SHAH

Do not insult me with innocence.

GANESH

Then do not insult truth with rage.

HAMZA SHAH

Phuljani.

GANESH

Say her name properly. She is not a rumor.

HAMZA SHAH

She is my mother!

GANESH

And before that—she was a woman.

HAMZA SHAH

You touched her.

GANESH

I love her.

HAMZA SHAH

You rule through my blood!

GANESH

I rule because you are not ready.

HAMZA SHAH

I’m ready now! You trained me to obey.

GANESH

I teach you restraint.

HAMZA SHAH

You are dismissed. You may not enter the palace unless you are summoned.

GANESH

You mistake walls for power.

HAMZA SHAH

Guards.

(No one enters.)

HAMZA SHAH

Guards!

(Slowly, they enter.)

GANESH

You can expel a man—not his reach.

(GANESH exits.)

HAMZA SHAH

Safa, ask Begun Phuljani to appear here immediately.

(PHULJANI enters – she got the news already.)

HAMZA SHAH

You are not allowed to go out of your quarter without my permission.

PHULJANI

Why?

HAMZA SHAH

You betrayed my father.

PHULJANI

Your father betrayed himself.

HAMZA SHAH

You chose Raja Ganesh over blood.

PHULJANI

You cannot lock me.

HAMZA SHAH

I can lock doors now. That is the difference.

(PHULJANI turns to leave. Then stops)

PHULJANI

Hamza—

(He stops.)

PHULJANI

Power taken in anger always returns as vengeance.

(PHULJANI exits. HAMZA stays on the throne.)

HAMZA SHAH

Call ministers to report here immediately.

(MINISTERS arrive with ledgers and scrolls. Bows and hands one scroll to HAMZA SHAH.)

HAMZA SHAH (reading)

The eastern granaries are to be opened.

The levy is immediate.

FIRST MINISTER

The Governor requests delay.

HAMZA SHAH

Denied.

SECOND MINISTER

He insists the regent’s seal is—

HAMZA SHAH

(slams the table)

There is no seal above my crown!

(Silence.)

Answer me plainly. Who obeys me?

(No response.)

Good. Fear travels faster than loyalty.

THIRD MINISTER

Raja Ganesh once—

HAMZA SHAH

Raja Ganesh is gone.

And yet his absence governs every hesitation here.

(SAFA enters. She does not bow deeply.)

SAFA

I asked for a public council.

HAMZA SHAH

Council dismissed.

(Ministers bow and exit.)

(To Safa.)

I granted privacy.

SAFA

Privacy protects the powerful.

The provinces no longer listen. Orders are questioned. Banners are ignored.

HAMZA SHAH

Then they will be punished.

SAFA

Punishment requires authority. Authority requires trust.

HAMZA SHAH

You speak like a regent.

SAFA

I speak like a witness.

HAMZA SHAH

To what?

SAFA

To collapse.

HAMZA SHAH

Tell me, Safa—when Azam Shah lived, did you speak this boldly?

SAFA

He did not mistake cruelty for strength.

HAMZA SHAH

You mourn him still.

SAFA

Every breath. His death is not provocation.

HAMZA SHAH

Absence is.

SAFA

I did not come to provoke.

HAMZA SHAH

Everyone comes to claim something.

(He steps closer.)

SAFA

My Sultan—step back.

HAMZA SHAH

You forget where you stand.

SAFA

I stand as a free woman.

HAMZA SHAH

There are no free women in palaces. Only unclaimed ones.

SAFA

I am here as counsel. Not as offering.

HAMZA SHAH

You offered defiance.

(He gestures.)

HAMZA SHAH

Leave us alone.

GUARD

Your mercy, Sultan—

HAMZA SHAH

Leave!

(Guards exit. The door closes. Stage becomes dark to barely to be seen.)

(No physical act is shown. The horror is carried by voice, interruption, breath, and silence.)

SAFA

Do not touch me.

HAMZA SHAH

This is sovereignty.

SAFA

(shouting)

Someone—

(Her voice is cut short. We hear breath. Resistance. Then—silence.)

(Door opens, light comes back.)

(SAFA sits on the floor, disordered but upright. HAMZA SHAH adjusts his robe calmly.)

HAMZA SHAH

You will remain in the harem. You live as my property.

SAFA (looks up)

You did not take power today. You revealed it.

(He exits.)

(After a moment, PHULJANI enters—controlled, burdened, dignified.)

PHULJANI

You should not be here alone.

SAFA

Neither should truth.

PHULJANI

I heard—

SAFA

Everyone hears. No one interrupts.

PHULJANI (sits beside her)

Hamza confuses desire with rule.

SAFA

Then this— (this room) —is not desire.

PHULJANI

No. It is conquest.

SAFA

Sultan Hamza Shah listens only to himself.

PHULJANI

Because no one taught him how to be small without feeling weak.

SAFA

They will say I tempted him.

PHULJANI

They always do.

(taking Safa’s hand)

You are not broken.

SAFA

I know. But something has been named.

(Lights fade.)

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