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THE LAST KISS

SCENE 6 — BODHISATWA IS COMING TO KOLKATA

CHARACTERS
  • SWAYAMPRABHA
  • CHAT VOICE (BODHISATWA)
  • ARUNDHUTI
SETTING

SWAYAMPRABHA’s home, late afternoon. The living room-kitchen is the same— but the emotional weather is different: quieter, watchful.

SFX: kettle simmer, ceiling fan, distant neighborhood sounds.

(Lights up. SWYAMPRABHA does routine work: sorting dal in a steel plate, wiping the counter, folding a towel. Her phone lies face-up now.)

SFX: Messenger “ding.”

(The phone lights up. SWYAMPRABHA pauses—breath catches. She wipes her hands, picks it up.)

CHAT VOICE (BODHISATWA)

SWAYAMPRABHA… good news.

I’m coming to India next month for a conference and an art show.

I’ll be in Kolkata for one week.

I really want to meet you.

(Silence. The ceiling fan squeaks like punctuation. Her face stays calm, but her body reacts: a subtle straightening, tight throat, heat behind the eyes.)

SWYAMPRABHA (low)

Coming…

(She reads again. Fingers press the phone too hard. She sets it down, then picks it back up—as if magnetized. The domestic room suddenly feels too small, too bright. She stands, walks, stops, walks again—skin restless.)

SWYAMPRABHA (whisper)

Why now…

again?

(She catches herself in the mirror—just a glance. Looks away, annoyed.)

SWYAMPRABHA (scolding)

What are you doing?

(Her body doesn’t listen. She adjusts her hair—then freezes: she’s preparing without deciding.)

SWYAMPRABHA (typing aloud)

Of course, meet—

No. Too eager. (delete)

(Doorbell buzz. She drops the phone onto the sofa, stands straight, restless, opens the door. ARUNDHUTI stands there. SWYAMPRABHA stares—doesn’t move.)

ARUNDHUTI

Hello.

SWYAMPRABHA (still—zombie-still—then jolts.)

Sorry, sorry.

How did you know I was about to call you?

ARUNDHUTI

What happened? Your voice—

SWAYAMPRABHA

He’s coming.

ARUNDHUTI

Who’s coming?

SWAYAMPRABHA

BODHISATWA.

ARUNDHUTI

To India?

SWYAMPRABHA (too fast)

Yes. Kolkata. Conference. Art show. One week. He wants to meet me.

ARUNDHUTI

And you?

(SWYAMPRABHA looks around: steel plates, folded cloths—the life she built. Then at the phone like it’s a doorway.)

SWYAMPRABHA (innocent truth)

And me…?

I feel… foolish.

ARUNDHUTI

Foolish?

SWAYAMPRABHA

I can’t explain, Aru—

I’m standing still and my heart is running.

ARUNDHUTI

That is not foolish.

SWAYAMPRABHA

Aru… I want to see him.

ARUNDHUTI

Of course you want.

SWYAMPRABHA (sits. Voice drops.)

It’s like—

for years I was a machine.

Now suddenly… I feel I have skin.

ARUNDHUTI (goes quiet—protective.)

When is he coming?

SWAYAMPRABHA

Next month.

ARUNDHUTI

Whatever you do, do it with clarity—not rebellion.

Do it because you’re a person.

SWYAMPRABHA (closes her eyes.)

He may want more than tea or talk.

ARUNDHUTI

What if you don’t meet him, and you spend the rest of your life wondering?

Both have costs.

Choose carefully.

SWYAMPRABHA (reads the message again.)

I’m… more afraid of myself than him.

ARUNDHUTI

Good. That means you’re not careless.

Let me make tea for you today.

(ARUNDHUTI goes to the kitchen.)

SWYAMPRABHA (typing aloud)

BODHISATWA… welcome to India.

I’m glad you told me in advance.

We will meet.

(pause—thumb hovering)

… It has been a long time.

(She sends. The “sent” sound is small but decisive.)

(SWYAMPRABHA sets the phone down. Stands very still. The fan squeaks. The kettle simmers.)

(Lights fade.)

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